It's always an honor as a photographer to photograph another photographer. There is just something about the gratitude of the air that makes the moment seem magical. The first two rolls of ilford hp5 locked up on me and I had to toss them, but trusty Kodak Tmax 400 made all the images here. Please if you get the time go check out this photographers website, he's damn good


In 2018 yellow has been represented by so much love, and when Judy brought over these dead yellow roses I really wanted to make her feel loved as well as portray a sense of vulnerability and passion. I hope I did it :) Shot with Kodak Color 400.


Oh February is hot. Another great test with this guy. We are already conjuring up something fantastic. Shot with  35mmfilm: Ilford Delta 100, Kodak Color 400, Kodak Portra 400, and 120 film Kodak Portra 400.


One thing I'm doing for sure in 2018 is photographing more men. To start the year off Emmanuel set the stage for whats to come. Shot on 35mm film: kodak portra 400, Kodak tmax 400 +1, 120 film Kodak Portra 400.


One tear for Nikki, she's so dope. I thank her so much for letting me experiment on her with my styling choices. So enjoyable...Shot on120 film Kodak Portra 400, and 35mm film: Kodak Color 400 and Ilford HP5.


Brittany came by and let me use my styling skills on her and I think we did damn good job. I shot this with 35mm film: Kodak Tmax 400 +1, Kodak Color 400, and 120 film: Kodak Portra 400. 


Morgan has been consistently and forever will be one of my favorite people to work with. We've already shot and connected so much it's just a great thing to have. We shot some film digitals and some bnw natural light studio. I shot 35mm film: Kodak Portra 400, and Kodak Tmax 400 +1, and a couple of portraits with 120 film: Kodak Tmax 400.


If there is any one person that I had to give acknowledgment to for bringing great energy and life to a shoot it's this wonderful woman right here. Fran came by and shot for my natural light series and also wanted to do a few close ups in color. We made it happen. Shot on 35mm film: Ilford HP5 400 and color Fuji Pro Plus 200.


I don't think this natural light setup will ever get old. It's bold and beautiful and that's something I could never get tired of. Shot Macey with Kodak Tmax 400 pushed 1 stop and a little Kodak Portra 400. 


In photographing Solange I wanted to push her to the edge and generate Kate Moss vibes but still stay true to Solange's character and her personality. I think we managed to make it work. I shot 35mm on Kodak Tmax 400 pushed +1 and some Kodak Portra 400.

Lauren Daily

My good friend hit me up to come out to the middle of nowhere and shoot. Of course I accepted and this is what we got. I shot some Kodak Tmax 400 pushed +1, some Kodak Color 400, and some 120 film: Kodak Portra 400. 


Had a dream and saw an image and made it come alive. Shot on 35mm film:  Kodak Tmax 400 pushed to 800 & 1600. Also shot 120 film: Kodak Portra 400.


This set I shot the majority of it on Fuji Pro H 400 and I'm not to sure about the results on medium skin tones. The rest were shot on Kodak Color 400.


I shot this set with a few different film stocks. Kodak Portra 400, Kodak Color 400, and Ilford HP5

Lane 35mm Kodak Tri-X 400